In ancient China, as the lowermost class in the social hierarchy, merchants were viewed as greedy and immoral, commanding little respect. But since the sixteenth century, when China entered modern times with the sprout of capitalism, merchants have become a strong force to transform the ancient society. By absorbing methods of anthropology, psychology, geography, and economics,...(展开全部)

In ancient China, as the lowermost class in the social hierarchy, merchants were viewed as greedy and immoral, commanding little respect. But since the sixteenth century, when China entered modern times with the sprout of capitalism, merchants have become a strong force to transform the ancient society. By absorbing methods of anthropology, psychology, geography, and economics,...(展开全部)

In the late nineteenth and early twentieth centuries, merchants in China were incorporated into the bourgeoisie and constituted a vital part of the upstart capitalists. The lowermost class in ancient China’s social hierarchy has thus become a strong force of social transformation in the modern era. From the angle of the interaction between the merchant and modern society, this ...(展开全部)

In the late nineteenth and early twentieth centuries, merchants in China were incorporated into the bourgeoisie and constituted a vital part of the upstart capitalists. The lowermost class in ancient China’s social hierarchy has thus become a strong force of social transformation in the modern era. From the angle of the interaction between the merchant and modern society, this ...(展开全部)

Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China exp...(展开全部)

Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China exp...(展开全部)

Throughout most of history, in China the insane were kept within the home and treated by healers who claimed no specialized knowledge of their condition. In the first decade of the twentieth century, however, psychiatric ideas and institutions began to influence longstanding beliefs about the proper treatment for the mentally ill. In The Invention of Madness, Emily Baum traces ...(展开全部)

Throughout most of history, in China the insane were kept within the home and treated by healers who claimed no specialized knowledge of their condition. In the first decade of the twentieth century, however, psychiatric ideas and institutions began to influence longstanding beliefs about the proper treatment for the mentally ill. In The Invention of Madness, Emily Baum traces ...(展开全部)

著者：关文斌（Kwan Man Bun），加利福尼亚大学洛杉矶分校学士，斯坦福大学历史博士，师从黄宗智、施坚雅教授。历任费正清研究中心研究员、辛辛那提大学历史系教授。 译者：张荣明，南开大学历史学院教授（荣休），曾任中国先秦史学会常务理事、国际儒学联合会理事。

Martin King Whyte is Professor of Sociology at Harvard University.